Martin Luther King, Jr. Ours is a program that specifically embraces the vital and generative relationship between literary study and creative writing, and ours is a program that intentionally includes — in our literary engagements — a long tradition of texts produced by people of faith.
That is to say that if you are a writer who understands your own writing to be a way of — quite literally — coming to terms with who you are and with whose you are, then our program may be the program for you.
A Word about Inclusiveness In keeping with the commitments of Seattle Pacific University and its informing tradition, our program is intentional in our proclaiming a commitment to pursuing class, race, and gender inclusion; while we honor our various gifts and vocations, we understand our common calling to be one of reconciliation, of embracing the beauty and the necessity of difference within a beloved whole.
We hope to equip our MFA students with the tools to proceed along the way. I have been blessed with many accomplished teachers during my life as a writer, but Annie Dillard was the first to set my feet on this path that would lead to my finding a way to marry my writing life to an ongoing journey of spiritual development.
We believe that great writing is not merely an act of self-expression, but a single-minded effort to do justice in the world, to do justice to the world. Should you join us, you will become part of an alive and enlivening community of mentors, students, and alumni — a community whose every member takes seriously the accomplishment of every other.
We also intend to cultivate reading and writing as spiritual disciplines. The spiritual dimension of this program is not intended to produce didactic, sectarian, or sentimental literature.
Our faculty shares a sense that our students will develop most readily if they shed the idea that writing is primarily a way to express what they think they already know, and come to trust, instead, that writing creatively is primarily a way of knowing.
Therefore, our program maintains a strong emphasis on reading classic works from the writers of faith, and responding to them in a series of critical papers. Chief among those tools is the understanding that literature is a long and ongoing conversation, a conversation in which the aspiring writer must eventually take part.
May it be blessed. On the contrary, this program seeks to extend what our faculty understand to be a longstanding conversation that comprises much of world literature, a conversation in which the highest levels of art, an open-eyed exploration of human experience, and a respect for mystery are all held in a proper balance.
We are convinced that writers flourish best when they engage in a sustained dialogue with the great literature that has come before them. Unlike many MFA programs, ours focuses not only on matters of craft but also on the importance of vision. Our faculty mentors work to educe from our students a sense that they must engage in dialogue with the greater tradition by attending to what has preceded them, and thereafter responding with new creation.
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Admission is based primarily on the quality of the applicant's original creative writing in one of the program areas: poetry, fiction, or creative nonfiction. In addition, the Admissions Board looks for promise exhibited in the critical and personal essays.
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We hope to equip our MFA students with the tools to proceed along the way. Chief among those tools is the understanding that literature is a long and ongoing conversation, in which the aspiring writer must eventually take part.
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Students in the Seattle Pacific University Low Residency MFA Creative Writing program just completed a day intensive writer’s retreat at our beautiful Camp Casey. The program requires two residencies per year, where students and faculty gather together in person to take classes, attend seminars, and workshop their writing/5().Download